Unrequited Love – Sestina

This poem was inspired by this beautiful painting which is for sale (see below for link). 

 

 Peace be with all of you.

-TheMsLvh

 

In silent motion I drift seamlessly

between reality’s fine line of dreams;

caught in the labyrinth of wanted love.

Stained corridors of promised fairy tales,

dull years of memories, mutating time -

defacing truth, obscuring my heart’s view.

 

Inside this winding parallactic view,

the melting promised years fade seamlessly.

My heart’s desire wrapped in wasted time,

within residing realms of frozen dreams.

You offered simple masquerading tales -

disguising charm for unrequited love. 

 

Quixotic fantasies entangled love,

wants heightened tantalizing points of view.

Continued to believe your fabled tales -

while time elapsed, unnoticed, seamlessly.

Hypocrisy laughed at my lustful dreams

until it was too late to salvage time.

 

Our carnal knowledge granted borrowed time

to orchestrate an ever-lasting love;

addressed within a gentle poet’s dream.

Emotions askew sealed your slighted view,

abandoning us as you seamlessly

went off collecting souvenirs of tales.

 

Suggestions of love mock your empty tales

rehearsed along the trail of misty time.

With caution you played your games seamlessly;

a temporal affair deflecting love.

You’re not aware I can escape this view

and your attempts to smuggle glossy dreams.

 

I shall relinquish all my vanished dreams;

eviscerate assuming hidden tales.

Forever you will be in my eye’s view

but I release myself from spiraled time.

Until you can feel one platonic-love,

in silent motion I drift seamlessly.

 

And though I view our noncommittal time -

enjoying lust with all your tales of love;

I am exhaling my dreams, seamlessly.

 

☮TheMsLvh © 2011

 

Image Source: Teimur-Amiry Unrequited Love - (Painting For Sale -Asking Price: $50,000 USD)

Size: 16 x 20 in - woo-hoo!

 

 

 

Thank you Ava and “The Poetry Palace Thursday Post Rally Week” for the Perfect Poet Award
I nominate  Mike Patrick for the next award

  Summited to: dVerse, Poets United, Imaginary Garden with Real Toads

Visit these wonderful Poetic Blogs to read incredible poetry!

Parallactic  [par-uh-lak-tik] - An apparent change in the direction of an object, caused by a change in observational position that provides a new line of sight.

Quixotic – impulsive and often rashly unpredictable.

Eviscerate – to deprive of vital or essential parts; disembowel.

 

California Ink In Motion by TheMsLvh is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

Endless Rails – Sonnet

 

Conductor please, I’ll buy a ticket sir,

one with a window and reclining seat

of leather, ashen white, to rest my eyes.

 

Caress cut crystal bronzed with fine liqueur -

accentuates heart’s rhythm of repeat;

across split rails of iron laden tracks.

 

Bequeath my soul to wander boundless skies,

eternity unburdened I prefer;

and leave behind cruel visions of defeat.

 

These fleeting images across sunrise -

through railway tunnels never looking back;

on restful rails of vast suspended time.

 

Discover hidden truth for which I lack.

Upon this train, towards endless, I shall climb.

 

 

☮TheMsLvh © 2011

Submitted to dVerse – Poetics – Trai_n_n_n_n_n_n_n_n_s and Real Toads and Poets United

Amazing photo by dorinnovac

California Ink In Motion by TheMsLvh is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

I Must Surrender- rondeau redoublé

  

 

I must surrender the mind’s hold,

let go the blaze trapped in my head.

Times have changed. Leaving misty old

perceptions of what is, now dead.

 

Raised independent – so inbred,

to never swallow what was told.

To always question – not be led,

I must surrender the mind’s hold.

 

Events have changed my journey’s road;

the day I flew but fell instead.

All my dreams dying – turning cold -

let go the blaze trapped in my head.

 

I never feared what lay ahead,

those days of youth brought suns of gold;

so quick to alter by moon’s end,

Times have changed. Leaving misty old

 

faint memories pulled from the void.

Of better days where I transcend -

to grasp a breath and long behold

perceptions of what is, now dead.

 

Succumb to pain, I hide in bed;

heal mind and body, feel controlled.

New dreams will come a doctor said  -

relax and breath and let unfold.

I must surrender.

 

 

 

☮TheMsLvh © 2011

Image Courtesy of DiegoUnspire

Submitted to With Real Toads and dVerse Pub Open Link#9

 

California Ink In Motion by TheMsLvh is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License
 

 

*Technically speaking a rondeau redoublé is made of six quatrains ended by a hemistich (of exactly the same type as the one in the rondeau form, and built on the first verse as well). The 24 verses, 4 of which are found twice (in the first stanza and as endings of stanzas 2-5) all belong to only two rhyme groups, the tricky scheme of this form is:

ABAB BAB1 ABA2 BAB3 ABA4 BABAh

Awake in Nightmares – Sonnet

 

There’s no one in the control room;

directing any flame of light.

Dark shadows ready to consume;

the mindless empty of the flight.

Unable to escape the doom -

foreboding thoughts tied up in fright.

Old premonitions come alive -

alerting mind’s eye to survive.

 

Exotic faces lay in wait,

beyond the sound of voiceless screams -

releasing shivers down the spine.

Deep crevices in eyes dilate;

erasing lines from truth or dreams -

caught in the spiral of decline.

 

These are vibrations cursed in hate,

that rupture ears allowing streams

of bloody red to desecrate;

and split what is real at the seams.

Awake within the nightmare’s gate

unleashing fears of wild extremes.

 

Never Forget!

 

☮TheMsLvh © 2011

Image: Courtesy of Google Image

Submitted to dVerse Poets Pub and Poets United

California Ink In Motion by TheMsLvh is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

Hats – Terza Rima

   In my discovery of the different forms of poetry,  I came across the Terza Rima.  This is my first attempt using this form.  Hope it reads well.  I have included its description of the form below. I hope you enjoy it as much as I did writing it. A  bit singy-songy I fear.

 

 

I have worn several hats throughout the years;

reflecting different roles I played each day.

Subjective meanings – kept as souvenirs.

 

A feathered birthday hat inviting play;

adorned year after year with no delay -

another wish on candles if I may?

 

A mournful hat weeps sadness of betray -

A smoke-stained cap that kissed a Reggae song -

A lover’s chapeau which will never stray.

 

There was a hat I dared not keep for long;

’cause it belonged to the quick stepping cop -

who chased me for the mischief I did wrong.

 

My favorite hat sold never in a shop,

uniting words on paper to be sung:

A Poet’s hat worn ’till the last ink drop.

 

Such memories in hats when I was young,

show steps of life upon each ladder’s rung.

 

☮TheMsLvh © 2011

 

Image: Hats on Ladder image by DecoDanny courtesy Google Images

California Ink In Motion by TheMsLvh is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Form

Terza rima is a three-line stanza using chain rhyme in the pattern A-B-A, B-C-B, C-D-C, D-E-D. There is no limit to the number of lines, but poems or sections of poems written in terza rima end with either a single line or couplet repeating the rhyme of the middle line of the final tercet. The two possible endings for the example above are d-e-d, e or d-e-d, e-e. There is no set rhythm for terza rima, but in English, iambic pentameter is generally preferred.

History

The first known use of terza rima is in Dante’s Divina Commedia. In creating the form, Dante may have been influenced by the lyric form used by the Provençal troubadours. The three-line pattern may have been intended to suggest the Holy Trinity. Inspired by Dante, other Italian poets, including Petrarch and Boccaccio, began using the form.

The first English poet to write in terza rima was Geoffrey Chaucer, who used it for his Complaint to His Lady. Although a difficult form to use in English because of the relative paucity of rhyme words available in a language which has, in comparison with Italian, a more complex phonology, terza rima has been used by Milton, Byron (in his Prophecy of Dante) and Shelley (in his Ode to the West Wind and The Triumph of Life). Thomas Hardy also used the form of meter in ‘Friends Beyond’ to interlink the characters and continue the flow of the poem. A number of 20th-century poets also employed the form. These include Archibald MacLeish, W. H. Auden, Andrew Cannon, William Carlos Williams, T. S. Eliot, Derek Walcott, Clark Ashton Smith, James Merrill, Robert Frost and Richard Wilbur. [Information source :Wikipedia]

This House Shines Dark – a Triolet

 

This house shines dark while you’re away;

Bring home your sunshine drenched in loving smiles.

-  I drown with anguish every time you stray,

This house shines dark while you’re away.

Remembering the words you’d always say,

   “No worries my dear - Not so many miles!”

This house shines dark while you’re away;

   Bring home your sunshine drenched in loving smiles.

 

☮TheMsLvh © 2011

Image source: Dark House

 

French in origin, and likely dating to the thirteenth century, the triolet is a short poem of eight lines with only two rhymes used throughout. The requirements of this fixed form are straightforward: the first line is repeated in the fourth and seventh lines; the second line is repeated in the final line; and only the first two end-words are used to complete the tight rhyme scheme.

California Ink In Motion by TheMsLvh is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

Mighty Wurlitzer

 

The music played the voice of yesterday,

old silent films of black and white.

When dialogue replaced by score;

the “Mighty Wurlitzer” delights.

 

The Maestro armed with paper photoplay;

piano, organ, and cue sheet.

Told us effects and moods to feel -

stage movie actors felt complete.

 

Composed original scores proudly sang,

strong epic music to enhance.

The lover’s build-up ‘till the kiss,

film’s end finality sweet embrace.

 

As Hollywood of silent era roars;

employment of musicians soars.

The “talkies” popularized film -

creating music by the scores!

 

 

☮TheMsLvh © 2011

Image source: Mighty Wurlitzer

Google image – Gish and Barthelmess – Broken Blossoms

submitted to dVerse prompt for Silent  Movie Era

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Amphitrite – Sailor’s Sonnet

*Amphitrite- Ἀμφιτρίτη – [am-fi-trahy-tee]
The goddess queen of the sea, wife of Lord Poseidon. Amphitrite was the goddess who spawned the sea’s rich bounty–fish and shellfish–as well as dolphins, seals and whales.

 

 

The sailor’s story told from long ago -

a Maiden bravely swims through winds of force;

her essence glided free where trade winds blow.

Inside her ocean currents, set a course -

to spread abundance within water’s flow,

exploding life to spread true nature’s source.

Exquisite sunset hues in cloudless skies,

above her depths of cold – a sailor flies.

 

Beneath secluded shores of distant lore,

soft melodies entwine the ocean’s tide -

white frosted tips on swells of lapis blue.

Grey whales surrender waters – breaching soar;

to kiss the moon – igniting stars collide.

Amazing glory – sailor’s brilliant view.

 

Sweet Goddess, Amphitrite, we implore;

allow the Shepard’s moon hold safe our ride.

Deliver us upon your distant shore -

take not into your arms where you reside.

For you have charmed so many men before -

within your ink of darkness – sailors hide.

 

☮TheMsLvh © 2011

Image provided by and submitted to Imaginary Garden with Read Toads also Poets United - dVerse - The Poetry Palace 

The sonetto rispetto is a specialized form of poetry related to the more well-known sonnet. It was created and popularized in Italy during the historical period known as the Renaissance (14th to 17th centuries C.E.)

 

 A sonetto rispetto has 8 lines of iambic pentameter in the first stanzas, in a rhyme scheme of  a b a b a b c c. The following two stanzas have 6 lines with a slightly different rhyming scheme.

 

This form was used for composing improvised folk music using popular tunes, and the subject matter was usually an address of love from a gentleman to a lady.

 

 

  
California Ink In Motion by TheMsLvh is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License